Friday, January 14, 2011

Hyard Man Style

Another year, another rehearsal. Somewhere under the open hi-hat, we're playing Jimmy Cliff.

Saturday, November 13, 2010

Square eyes.

A whole buncha videos from the last practice.










Friday, November 12, 2010

Breedin' heck.

Here's a bit of blistering Pais.


No wonder he's taking a break wi' a Cup-A-Soup...


















...he's just gone through no less than six sticks.


















And here's why...

Wednesday, November 3, 2010

Going bananas.

They say hard work never killed anyone. But the bass player came close
disproving that particular axiom last night. Anyhoo, here are the fruits
of our labour (geddit?).

































First up, don't be hatin'...


And a tiny taster of the hardness to come (and hardness to fall).

Friday, October 15, 2010

Hanging by the Fuzz.

Back to the rehearsal room and there was some new kit on the block. Namely,
Jezza's drums. To celebrate, he dressed like Mother Teresa and Potter swallowed
a microphone.























































Frivolity aside, it was time to knuckle down to the graft of rocking some new
numbers. First up, some bleach Blondie.



We zip through the fuzz. Painful.



Another (quite lengthy) run through She Sells Rain.

Wednesday, September 29, 2010

When it Rains...

The glories of high payin' gigs behind us, we went back to sweat in the studio.
There was much discussion as to whether we should attempt Rain or She Sells
Sanctuary and the omens weren't good...



















But we mashed the two together and we miiiiight just have got away with it.





And all we need are...


(Well, that and a bit more practice.)

Saturday, August 28, 2010

Giggity.

And so, the time came to unleash the Squid upon an unsuspecting world.
The old-school flyers went up...


















...and the armaments were assembled.














This is 'The Lowdown' bar in the basement of the Albany pub, opposite
Great Portland Street tube.














Rich and Garth took to the stage. If a junk-filled mezzanine floor with alcoves
could be referred to as such.














At least somebody knew what they were doing. Anna, our sound engineer for
the evening, did an amazing job of sorting it all out.














One final tune up...














...and it was time for a packed house to face the music.











We played for about 40 minutes. Which seemed like ten to us. And an eternity
to the crowd.










Here are some tantalising tasters.